Amy Beach (1867-1944)

Op.1 - 4 Songs (after K. Vannah, Schiller, Chateaubriand, Shelley)
Op.2 - 3 Songs (after H.H.A. Beach)
Op.3 - Cadenza to Beethoven's 3rd Piano Concerto, Boston 1888
Op.4 - Valse-Caprice, Boston 1889
Op.5 - Mass in E-flat major (1889, revised 1892). Boston 1890
Op.6 - Ballade. Boston 1894
Op.7 - O Praise the Lord, All Ye Nations . Boston 1891
Op.8 - 3 Choral Responses. Boston 1891
Op.9 - The Little Brown Bee, female Chorus, Boston 1891
Op.10 - Songs of the Sea. Boston 1890
Op.11 - 3 Songs (after W.E. Henley)
Op.12 - 3 Songs (after Robert Burns)
Op.13 - Hymn of Trust (after O.W. Holmes, Boston 1891
Op.14 - 4 Songs (after W. Learned, J. de Resseguier, Aldrich, Sill) (1890)
Op.15 - 4 Sketches for piano. Boston 1892.

In Autumn
Phantoms
Dreaming
Fireflies

Op.16 - The Minstrel and the King
Op.17 - Festival Jubilate (1891), Boston 1892
Op.18 - Mary Stuart (Eilende Wolken, after Schiller) for Alto and Orchestra (1892), Boston 1892
Op.19 - 3 Songs (after Coates, Beach), Boston 1893
Op.20 - Villanelle (Across the World)
Op.21 - 3 Songs (after Hugo, Bovet)
Op.22 - Bal masqué for piano. 1893 December. Published Boston, 1894
Op.23 - Romance for violin and piano. Boston, 1893. Grado Profesional (según el catálogo de compositoras de la Asociación de Mujeres en la Música)
Op.24 - Bethlehem, Boston: Arthur P. Schmidt, 1893.
Op.25 - Children's Carnival. Boston 1894.
Op.26 - 4 Songs (after Fabbri, Cooley), Boston 1894
Op.27 - Alleluia, Christ is risen, Boston 1895
Op.28 - 3 Morceaux caractéristiques. Boston 1894
Op.29 - 4 Songs (after Beach, Spofford, Sparrow) (1894), Boston 1895
Op.30 - The Rose of Avontown for soprano, alto, women's chorus and orchestra. Boston, 1896
Op.31 - 3 Flower Songs (after M. Deland), Boston 1896
Op.32 - Symphony in E minor "Gaelic". Boston 1897.
Op.33 - Teach me thy way (1895)
Op.34 - Violin Sonata in A minor (1896). Boston, 1899.
Op.35 - 4 Songs (after Scherenberg, Goethe, Heine, Beach) (1896), Boston 1897
Op.36 - Children's Album, 5 Pieces for Piano. Boston: Arthur P. Schmidt, 1897.
Op.37 - 3 Shakespeare Songs. Boston: Arthur P. Schmidt, 1897.
Op.38 - Peace on Earth, Boston: Arthur P. Schmidt, 1897
Op.39 - 3 Shakespeare Choruses for SSAA Chorus a cappella
Op.40 - 3 Compositions for Violin and Piano. Boston, 1898. 3º G.P. (según el catálogo de compositoras de la Asociación de Mujeres en la Música)

La Captive
Berceuse
Mazurka

Op.41 - 3 Songs (after Fabbri, Spofford). Boston, 1898.
Op.42 - Song of Welcome for Voices, Chorus
Op.43 - 5 Songs (after Robert Burns). Boston, 1899.
Op.44 - 3 Browning Songs, Boston 1900
Op.45 - Piano Concerto in C♯ minor (1899). Boston, 1900.
Op.46 - Sylvania, a Wedding Cantata. Boston, 1901
Op.47 - Summer Dreams for Piano (4 hands), Boston, 1901.
Op.48 - 4 Songs (after Beach, Lockhart, Sylvestre). Boston, 1902.
Op.49 - A Song of Liberty for Voices and Orchestra, Boston 1901
Op.50 - Help Us, O God, motet for mixed chorus, Boston: Arthur P. Schmidt, 1903.
Op.51 - 4 Songs (after Wissman, Eschelbach, Jansen, Sylvestre), Boston 1903
Op.52 - A Hymn of Freedom, Boston 1903
Op.53 - Jephthah's Daughter for Soprano and Orchestra, Boston 1903
Op.54 - 2 Piano Pieces, Boston 1903

Scottish Legend
Gavotte fantastique

Op.55 - Invocation vor Violin and Piano/Organ, Boston 1904
Op.56 - 4 Songs (after Coates, Beach, Black) (1903–04), Boston, 1904
Op.57 - 3 Works for female Chorus, Boston 1904
Op.58 - ?
Op.59 - The Sea-Fairies, Cantata for Soprano, Alto, female Chorus, Orchestra. Boston: Arthur P. Schmidt, 1904.
Op.60 - Variations on Balkan Themes (1904). Boston, 1906
Op.61 - Give Me Not Love (after Coates), Boston 1905
Op.62 - When Soul is Joined to Soul (after Browning), Boston: 1905.
Op.63 - Service
Op.64 - Eskimos - 4 Characteristic Pieces for Piano, Boston 1907
Op.65 - Les rêves de Columbine. Boston, 1907

Les Reves de Columbine
La fée de la Fontaine
Le Prince gracieux
Valse étoiles
Danse d'Arlequin

Op.66 - The Chambered Nautilus for Soprano, Alto, female Chorus, Orchestra
Op.67 - Piano Quintet in F♯ minor (1907, published in 1909)
Op.68 - After (after Coates), Boston: 1909.
Op.69 - Mother Songs (after MacDonald, Hughes), Boston: 1908.
Op.70 - Iverniana for 2 Pianos (1910), lost
Op.71 - 3 Songs (after Beach, Dekker, Stathem), Boston: 1910.
Op.72 - 2 Songs (after Zacharias), New York: Schirmer, 1914.
Op.73 - 2 Songs (after Zacharias), New York: Schirmer, 1914.
Op.74 - All Hail the Power of Jesus' Name (1914). Boston, 1915
Op.74 - Panama Hymn (after W.P. Stafford) for Voices and Orchestra, Boston 1915
Op.75 - 4 Songs (after Brown, Herford, Rands), New York: Schirmer, 1914.
Op.76 - Thou Knowest, Lord. Boston, 1915
Op.76 - 2 Songs (after Stoddard and Tennyson), New York: Schirmer, 1914.
Op.77 - 2 Songs (after Fanning, Burnet), New York: Schirmer, 1916.
Op.78 - 4 Canticles. Boston, 1916
Op.78 - 3 Songs (after Coolbrith, Teasdale), New York: Schirmer, 1917.
Op.79 - (String Quartet in one movement, see Op.89)
Op.80 - Theme and Variations for Flute and String Quartet (1916). Boston, 1920
Op.81 - Prelude and Fugue for Piano (1917). Boston, 1918
Op.82 - Dusk in June for female Chorus, Boston 1917
Op.83 - From Blackbird Hills. Boston, 1922.
Op.84 - Te Deum (1921), Boston 1922
Op.85 - In the Twilight (after Longfellow), Boston: Arthur P. Schmidt, 1922.
Op.86 - May Eve for Voices and Piano (1921), Boston 1933
Op.87 - Fantasia fugata for piano. Boston, 1923
Op.88 - Spirit Time (after Read)
Op.89 - String Quartet (1929), 1 movement, originally as Op.79
Op.90 - Pastorale for Flute Cello and Piano (1921)
Op.91 - The Fair Hills of Eiré for piano or organ. Boston, 1922
Op.92 - Hermit Thrush for piano (1921). Boston, 1922

Hermit Thrush at Eve
Hermit Thrush at Morn

Op.93 - Message (after Teasdale), Philadelphia: Theodore Presser, 1922.
Op.94 - 3 School Songs, Boston 1933
Op.95 - Constant Christmas, Boston 1922
Op.96 - The Lord Is My Shepherd (Ps. 23) for female chorus (3vv) and organ, 1923
Op.97 - From Grandmother's Garden. 5 Pieces for Piano. Boston, 1922.
Op.98 - I will lift up mine eyes, Boston 1923
Op.99 - 4 Songs (after Beach, Greenwood, Adams, Barili), Philadelphia: Theodore Presser, 1923.
Op.100 - 2 Songs (after Ochsner, Nettleton)
Op.101 - Peter Pan (after Jessie Andrews) for female Chorus and Piano, Boston 1923, Philadelphia: Theodore Presser, 1923.
Op.102 - 2 Piano Pieces. Boston, 1924

Farewell Summer
Dancing Leaves

Op.103 - Benedictus es
Op.104 - Suite for Two Pianos Founded upon Old Irish Melodies. Boston, 1924
Op.105 - Let This Mind be in You, Boston, 1924
Op.106 - Old Chapel by Moonlight for Piano, Boston 1924
Op.107 - Nocturne for piano. Boston, 1924
Op.108 - Cradle Song of the Lonely Mother . Boston, 1924
Op.109 - Lord of the worlds above, Boston 1925
Op.110 - The Greenwood for children’s Chorus, Boston 1925
Op.111 - From Olden Times for Piano
Op.112 - Jesus my Saviour (after Elliott), Boston 1925
Op.113 - Mine be the Lips (after Speyer), Boston: Ditson, 1926.
Op.114 - By the Still Waters for piano. Boston, 1925
Op.115 - Around the Manger for Voice and Piano, Boston 1925
Op.116 - Tyrolean Valse-Fantaisie for piano. Boston, 1926.
Op.117 - 3 Songs (after Lee), Cincinnati: Church, 1925.
Op.118 - The Moonboat (after E.D. Watkins) for children's Chorus
Op.119 - From Six to Twelve for Piano, Boston 1927
Op.120 - Rendezvous (after Speyer)
Op.121 - Benedicte omnia opera Domini, Boston 1928
Op.122 - Communion Responses, Boston 1928
Op.123 - The Canticle of the Sun (1924), Boston 1928
Op.124 - Springtime (after Heywood), New York: Schirmer, 1929.
Op.125 - Lento espressivo for Violin and Piano
Op.125 - 2 Sacred Songs
Op.125 - Evening Hymn (1934), Boston 1936
Op.126 - Sea Fever (after J. Masefield) for Chorus, Boston 1931
Op.127 - When the last Sea is sailed (after Masefield) for male Chorus
Op.128 - 3 Piano Pieces . Boston, 1932

Scherzino - a Peterborough Chipmunk
Young Birches
Humming Bird

Op.129 - Drowsy Dream Town for Soprano, female Chorus and Piano, Boston 1932
Op.130 - Out of the Depths for piano. Boston, 1932.
Op.131 - Dark Garden (after Speyer), Boston: Arthur P. Schmidt, 1932.
Op.132 - Christ in the Universe, Boston 1931
Op.133 - 4 Choral Responses, Boston 1932
Op.134 - God is our stronghold
Op.135 - To one I love, Boston 1932
Op.136 - Fire and Flame (after Anna Addison Moody) (1932), Boston: Arthur P. Schmidt, 1933. Digitized at LOC: high voice, low voice. Unknown dates for librettist.
Op.137 - 2 Songs (after Quick, Moody) (1932), Boston: Arthur P. Schmidt, 1933. No.2 May Flowers digitized at LOC: medium voice. Unknown dates for librettist Anna Addison Moody.
Op.138 - ?
Op.139 - Hearken unto me, Boston 1934
Op.140 - We who sing have walked in glory (1934), Boston 1934
Op.141 - O Lord, God of Israel (1935)
Op.142 - I sought the Lord (1936), Boston 1937
Op.143 - I Shall be Brave (after Katharine Adams), Boston: Arthur P. Schmidt, 1932. Digitized at LOC: high voice, low voice. Unknown dates for librettist.
Op.144 - This morning very early for female Chorus and Piano (1935), Boston 1937
Op.145 - Dreams
Op.146 - Lord of all being, Boston 1938
Op.147 - I will give thanks, Boston 1939
Op.148 - 5 Improvisations for piano (1934). Boston, 1938.
Op.149 - Cabildo for Solo, Chorus, Speaker, Violin, Cello and Piano (1932)
Op.150 - Piano Trio (1938), Boston 1939
Op.151 - Pastorale for Woodwind Quintet . Boston, 1942.
Op.152 - Though I take the Wings of Morning (after Spencer)

Works without Opus number

A Bit of Cairo for Piano, Boston 1928
A September Forest for Piano, Boston 1930
A Song for Little May (after Miller)
Agnus Dei, Boston 1936
Air and Variations for Piano (1877)
Allegro appassionata, Moderato and Allegro con fuoco for Piano (4 hands)
An Indian Lullyby for Chorus
April Dreams (after Harding) (1935)
Balloons for children's Chorus, Boston 1916
4 Chorales (1882)
Clouds (after Sherman)
Evening Song (1934)
Friends for children's Chorus, Boston 1917
Graduale for Tenro and Orchestra, Boston 1892
Hymn - O God of love (1941), Boston 1942
Mamma's Waltz for Piano (1877)
Menuetto for Piano (1877)
Pax nobiscum, Boston 1944
Petite Valse for Piano (1878)
Prelude for Violin, Cello and Piano (1931), fragment
Prelude on an Old Folk Tune
Romanza for Piano (1877)
Serenade after R. Strauss' Ständchen for Piano
Singing Joyfully for children's Chorus
Song The Heart that mealts
Song If women will not be inclined
Song Time has wings and swiftly flies
Song Du siehst
Song Mignonnette, Boston 1929
Song Birth (after Knowles), Boston 1926
The Arrow and the Song (after Longfellow)
The Ballad of the P.E.O. for female Chorus (1934)
The deep Sea Pearl (after Thomas) (1935)
The Rainy Day (after Longfellow) (1880), Boston 1883
The Water Sprites - Caprice for Flute, Cello and piano (1921)

Referencias bibliográficas:

Catálogo de obras extraído de ISMLP

Catálogo de compositoras de la Asociación de Mujeres en la Música. https://www.mujeresenlamusica.es/catalogo-compositoras-amm/

Piano Syllabus

Fuentes de la imágenes:

Imagen 1.- Retrato de amy Beach. Extraída el 2 de junio de 2022 de https://www.pinterest.es/pin/212443307394878746/

Imágenes de la 2-14.- Capturas de pantalla de IMSLP

Buscar este blog

Músicas y Silencios

Amy Beach (1867-1944)

Obras con número de Opus

Works without Opus number

Comentarios

Publicar un comentario

Entradas populares

"Músicas Y Silencios"